Hazel Scott’s in the Movies
I first saw her years ago while stumbling on a late-night showing of the 1945 movie “Rhapsody in Blue” starring Robert Alda as George Gershwin, where she introduces him to the Paris high society while performing a haunting version of the “Man I Love” in a fancy jazz club.
I unsuccessfully searched and searched for more information about this musician since her role in that movie was not credited, but then, years later, I saw the amazing two-piano performance of Alicia Keys at the 2019 Grammys, paying homage to Scott, which led me down the online rabbit hole to discover all that I could about this incredible woman.
Discovering Hazel
Hazel’s F.A.Q.
Born on June 11, 1920, in Trinidad and Tobago, Scott’s musical journey began at a young age, as she demonstrated an innate gift for the piano and a passion for performance that would propel her to international acclaim. She enrolled at Julliard school of Music at the tender age of 8 years old making her the youngest student ever at the time. Scott’s rise to fame came during the golden age of jazz in the 1930s and ’40s, where she quickly established herself as one of the preeminent pianists of her time. With her virtuosic technique, dynamic stage presence, and captivating personality, Scott enthralled audiences in venues across the United States and beyond, earning rave reviews and adoration wherever she performed.
Pianists on TV
Starting in the 1950, the Hazel Scott Show gave her national exposure until it was cancelled under allegations of the oppressive McCarthyism environment. She was at the forefront of many entertainment shows that would feature pianist like; Liberace, Sidney Harrison, Alec Templeton, Isador Goodman, Winifred Atwell, Milton Saunders, Victor Borge and many others.
But Scott was more than just a talented musician; she was also a trailblazer for racial and gender equality in the entertainment industry. At a time when segregation and discrimination were rampant, Scott fearlessly challenged the status quo, refusing to perform in venues that enforced segregation and advocating for equal rights for all.
In addition to her groundbreaking activism, Scott’s musical contributions were equally revolutionary. She seamlessly blended jazz, classical, and popular music styles, creating a sound uniquely her own that defied categorization and captivated listeners of all backgrounds. Her innovative approach to the piano, characterized by her impeccable technique, improvisational prowess, and soulful interpretations, set her apart as a true pioneer in the world of music.
Hazel in the movies
Scott’s impact extended far beyond the stage; she was also a trailblazer in the world of film and television. As one of the first African-American women to achieve success in Hollywood, Scott broke down barriers and paved the way for future generations of performers. Her work in films like “The Heat’s On” and “Rhapsody in Blue” showcased her versatility as both a musician and an actress, earning her critical acclaim and further solidifying her place in history. Check out her IMDB
Hazel in Paris
In the mid-50’s she moved to Paris with her husband American congressman Adam Clayton Powell Jr. and performed all over Europe until the mid-60’s
Hazel’s and the legends of Jazz
Despite facing numerous challenges and obstacles throughout her career, Scott remained unwavering in her commitment to her art and her principles. She continued to perform and advocate for social justice until her untimely death in 1981, leaving behind a legacy that continues to inspire and resonate with audiences today.
Hazel Scott’s contributions to music, activism, and cultural advancement are immeasurable. Her pioneering spirit, unmatched talent, and unwavering dedication to her craft have left an indelible mark on the world of music and beyond, ensuring that her legacy will continue to inspire future generations for years to come. As we celebrate her life and accomplishments, we honor not only her extraordinary talent but also her fearless commitment to justice, equality, and the pursuit of excellence.